抛弃了娱乐性抛弃了悬疑性转而把所有篇幅不留余力的对整个巴尔的摩高层、中层和底层的众生描写和生态纪实化描写创作者想要表达的内容全部过于真实我19年标记了这部作品想看我想那时踏入社会不久我来说无疑是最好的时候如果那时看了也许会让未来几年的我面对一些事情时会更从容 You did everthingBut nothing is change太阳明天照常升起
Form overshines function. Impeccable cinematography, contrasted by a feeble storyline, flattened characters. The frequent intercutting is effective to elicit an emotional response, but the lack of continuity editing and discernible characters to identify with makes the narrative hard to follow at time.